Related strips: #23: The Dementor’s Kiss; #56: Blast from the Past; #145: The Last Kiss; #193: The Death of Franklin, Part One; #195: Oh My God; #199: Ledgerdemain, Part One; #211: Forgive and Forget
Obviously, I redesigned Kina a bit (of course, she's also a year and a half older than the last time she appeared).

Recently a few dudes have been making some pretty sweet live streams of their comic drawing process. For today's comic I recruited a small number of readers via Twitter to watch me tinker on uStream for a few hours. It was lots of fun interacting with some of you and it really kept me focused on getting the comic done! I anticipate there'll be more screenings in the future.
Congrats especially to the brave few who stayed for the entire screening -- I warned you I ink slow. :)
And thanks so much to everyone who ordered something last week! Your support is greatly appreciated. I have to take this new lifestyle a day at a time, I'm feeling pretty optimistic about the coming months.

Goal Teefs

I only bought one thing at this con: a GETTER 1 REVOLTECH robot toy. I am very stoked about it.
I also had a chance to stop by Urban Outfitters and pick up a totally awesome Japanese Tony the Tiger Frosted Flakes t-shirt.
Thanks to everyone who came out, and sorry to anyone who missed me late in the day after I'd left. Fortunately, it was a much slower crowd than yesterday, so I'm not too ashamed. Most of you got to me on Saturday.
Con exhaustion has caught up to me, too. I feel half-dead, and we're waking up at the buttcrack of dawn tomorrow to sit in airports and on planes all day long.
- Mood:
tired

Editorial: Is It Better To Be Alone?
Magazine: Vogue Italia
Issue: November 2005
Models: Freja Beha Erichsen and Eugen Bauder
Photographer: Bruce Weber
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I went on a little adventure today. Flying solo, I went over to the Complexe environnemental de Saint-Michel for their annual distribution of free compost. I accidentally stumbled upon this when I was in an annoyed rage about a neighbour who is constantly dumping old furniture and garbage behind our garage in the alley. So while scouring the Ville de Montreal website for details on garbage, recycling, spring cleaning and complaining about it, I came upon this event and made a note of it on the calendar.
I never thought I was going go through with it: I assumed I would flake on it and nearly did. I plan to build a raised bed vegetable garden in the backyard and will obviously need a lot of dirt. So I drove over to this massive, landscaped industrial complex, and followed the spray-painted signs marked “COMPOST” into a dusty parking lot. After showing a proof of address I backed up to one of the several aisles of dirt, and started digging.
As I filled my two green recycling bins full of dirt, this wonderfully communal feeling came over me. Dozens of cars were similarly parked, with men and women of all ages filling bags, buckets, bins or whatever they wanted with this damp, dark compost. Where does it come from? How does the city make this stuff? Well, unlike many of Canada’s more progressive cities: “More than 47 per cent of waste produced by Montrealers is organic. At present, only 7 per cent of this waste is recovered and composted.” Which is precisely why I was so surprised that this huge, state-of-the-art recycling complex even existed in the first place.
Lots of homes in Montreal have their own ways of reducing organic waste “off the grid.” I’ve heard of people with trays of earthworms in their kitchens, pet rabbits or compost bins in their backyards. Then there’s us, who presently have a very prison-like backyard, so we reserve the still usable but not totally edible bits of vegetables (tops of leeks, bottoms of chard, flaccid celery, and “last legs” spinach stems) and pop them in the freezer until it’s time to cook up our monthly batch of vegetable stock.
So now the car is full of dirt. Just in the garage, full of bins of dirt and I wonder if that’s bad, as if we’ll go to the car in the morning and it’ll be full of potato bugs or something. Yuck. Hope not. Next weekend the city is giving away free flowers…I wonder if I should go for it?


I went to see SPEED RACER yesterday with my friends Jerry, Murray, and Carlos, and it was pretty much exactly what I both expected and wanted from the movie... which is why I can understand the intensely negative critism the movies been getting (seriously... 35% at Rotten Tomatoes is a little harsh....), because what I expected and wanted from this movie is vastly different from what your average critic, or even your average movie goer, is looking for.
See... the problem is that SPEED RACER is a PERFECT adaptation of the cartoon. It is EXACTLY like the cartoon in every possible way. Nothing was really done to tone down the 1960's absurdity of the
material they were adapting... no effort was made to make this movie darker or more realistic, or in any way more palatable to a 21st Century audience. Characters have names like "Inspector Detector", or "Crusher Block", Racer X is still has an incredibly melodramatic back story, and Spriddle and Chim-Chim are still annoying but somehow endearing. Some of the movie's humor involving Spriddle and his pet monkey was positively groan worthy at times, but obviously appeals to a younger audience (they literally throw monkey poo at a guy... kids LOVE that kind of shit, pun intended). The improbable stunts, the simplistic, "Everything will be ok if I can just win this race..." plot... it's all there.
Everything about this movie was exactly like the cartoon... which is awesome if you've got that prior knowledge. It was actually interesting going with Jerry and Murray, because it perfectly illustrates the divide between someone with an affinity for the original content, and the average movie goer who never watched SPEED RACER, or even any anime at all, and thus just would not "get" a lot of
the movie's visual cues, in-jokes, and homages. In the end, Jerry ended up enjoying the movie a lot more than Murray did, and that's exactly how it's going to be for EVERYBODY. This movie is just going to fly right over people heads. Which is too bad, because it was actually pretty entertaining, and I really enjoyed the visual style... my only real critism with the movie is that it starts REALLY slow; especially for a movie about RACING. It took at least 15-20 minutes to get all of the plot setup out of the way and get to the shit you actually came to see... ab
surd car stunts, ninja's, mobsters, secret identities, cute girls flying helicopters, race-car vikings (YES... VIKINGS), melodrama, speed-lines, and a pounding orchestral (the chimes and harps make it sound very Hanna Barbara) soundtrack. Which this movie delivers in spades. It's a slightly deeper and more complex story than the cartoon (a parable about Big Business VS the Little Guy, corporate politics, and cheaters never prospering), but it still has that childlike sense of focus... "If I can just win this one race, everything will be ok."Visually, I found the movie went back and forth between looking garish and looking stylish, but I really enjoyed a lot of the anime style wipes and transitions. The cast was perfect, and everyone played their parts to a T (particularly John Goodman, who I always like anyways, but seemed to be really channeling something as Pops Racer). This is a movie that will appeal greatly to children, who will appreciate the bright colors, fast paced action, and monkey-poo humor, and adults with prior
knowledge or fond memories of the series, or at least some exposure to oldschool anime, and it's conventions. The only thing this movie really needed was to end on a watercolor still of Speed jumping out of the Mach 5 and taking his iconic pose.
Photographer: Eugenio Recuenco
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Warning: quantity of images is more than 240, so the post is not dial up-friendly.
Anyways... yeah, I posted some more stuff to my Blog in the last two days... a little thing about the WOLVERINE AND THE X-MEN cartoon trailer, and some thoughts on the SPEED RACER movie... not really a review, but more some thoughts on why the general public doesn't really seem to "get" it. The movie itself was enjoyable, but not, like, utterly fantastic. It was everything I thought it would be, and sort of wanted it to be... so unlike IRON MAN it only met my expectations, and did not exceed them, like I had hoped. It was fun, though, and will make a great DVD.
http://comikaider.blogspot.com/ For those not in the know, as it were. Enjoy!
PS: Eric Kim... what happened to your blog?
so then the other day i read a scathing, terrible review of one of my books, and usually i don't care when i get bad reviews or criticism or whatever, because i don't agree with them from an artistic standpoint and it's just this person's opinion so it's no big deal. i've gotten negative or mediocre reviews before, or bad comments on deviantart or there's a whole lot of people who hate the work that i do for White Wolf and i've heard some brutal things said about me and my artwork. but it's cool, i have no problem with people disliking my work, i even welcome it. different strokes for different folks, two sides of the same coin, can't please everybody, all that stuff. i know what i'm doing, it pleases me, and that's what matters.
but this reviewer guy was right on the money and i pretty much agreed with almost everything he said about why he hated the book, and now i feel i really crummy and embarrassed about it. i'm not upset about the review at all, i'm upset with myself for producing this book in the way that i did. so that's compounded this faith crisis and now i'm considering putting Wet Moon 4 on hold even though i have it all thumbnailed and about 15 pages drawn already, and maybe rewriting it or putting it on hiatus or something. i can't put my new zombie book on hold because it's contracted, but i'll do the best i can on that and hope it turns out good.
anyway, i don't know. guess i'll keep pushing through it.
a key combo or link to a vector-outlined version of the character would equally earn you my gratitude!

The scene that struck both of us, though, was when ( spoilers )
At dutyfree on the way home, he bought a Marc Jacobs dress and some girly accessories, so it was probably the existence of his girlfriend and not my ludacris beachwear (and sandy right buttcheek) that put him off:

Or was it?
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An excellent artist spotlight on Oni creator Marc Ellerby:
“Marc Ellerby is a young cartoonist from Essex, probably best known for his work with Jamie S. Rich on the Oni Press series Love The Way You Love. But I first noticed his self published books a little while back and wanted to share with you…..” -ForbiddenPlanet.co.uk













