
Thumbnails: pages 168-185 (minus a few)
This is how I was thumbnailing for most of Volume 2. It looks nice, but it's kind of a waste of time for me, so I gave up on it.
These were drawn straight to pen. The dark grey marker indicates black fills, and the light grey marker supposedly indicates screentone. I mean, it works, I guess, but it's kind of like you could spend more time on these than the actual pages. They're more show-offy than practical, I think. (So I'm showing them off! Go me!)
Note how I skipped pages I wasn't sure about, figuring I'd come back to them later. I know 179-183 (mostly blank on this page) were the very last things I drew for this book.
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Thumbnails: pages 84-87
Thumbnails to one of my favourite scenes.
When I penciled the scene, I ended up drawing Ramona on the recliner in a few panels, moving back and forth fluidly, depending on how deep in the doghouse Scott is at the moment. I think that little change made the scene way better. It's just a thing that happened on the fly, without a lot of thought. The characters' personalities come out at different stages sometimes.
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Breakup scene, In-depth (pages 48-51)
In the script, they broke up and then it went right to the next scene. On the script I seem to have drawn a line below the scene and scribbled "INSERT 2 PAGES of SCOTT on the bus alone".
The first run-through of thumbnails is pretty shakey as to what I wanted to get out of the scene. I left it alone for a while -- my files say page 47 was finished January 7th 2005, and page 48 was finished February 9th -- and I guess I came up with a visual idea that I think works pretty well.
Unfortunately, I don't have much more insight than that! They... Scott's on black and Knives is on white and they get smaller and smaller? And then there's this weird pseudo-symmetrical scene of him riding the bus (two of my favourite pages in the book, I think).
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Vol. 2 Trivia
- I finished 35 pages in my last 5 days of work. >:O
- The last pages I did were the skateboarding spread and aftermath (pages 122-127) and the burrito restaurant flashback leading up to (and including) the Lee's Palace spread (pages 178-183). The spreads got left til last because I was dreading them, and yet they both turned out really well. The restaurant thing got left because I wasn't quite sure what I was doing with it.
- I jumped ahead and did the ending (the last 20 pages or so) about halfway through the book. I think my reasoning was that I wanted to draw that stuff while still feeling fresh, and not have to rush through it (probably because the ending of Volume 1 was incredibly rushed).

2007-02-18 12:57 am (UTC)
2007-02-18 01:24 am (UTC)
ps are you still selling pages as original artwork? thnx.
2007-02-18 03:49 am (UTC)
2007-02-18 03:58 am (UTC)
2007-02-18 01:42 am (UTC)
The two tend to cancel each other out I find...
Amazing stuff anyhow! Sooooo neat to see the way other artist's minds work, the way the gears turn.
2007-02-18 03:13 am (UTC)
What kinda freaks me out seeing these is that It looks like you knew exactly what you wanted each page to look like. I don't see much alteration between the thumbs and the product. Did you scrap any thumbnails or have any second thoughts? Do you ever eat cream of rice?
2007-02-18 03:47 am (UTC)
My thumbnails and finished pages do tend to be eerily similar, though, yeah.
I think by the time I get to the thumbnail stage I do tend to have a good idea of what's going to happen on the page. I think about it in the script and then I do a little layout scribble in the margin of the script and then I just fill the panels with balloons and content. There's also that extra phase of staring into space and contemplating what will go in each panel. That's the hardest part to articulate or show examples of.
2007-02-18 03:16 am (UTC)
Thanks and looking forward to more Scott Pilgrim adventures this year!
2007-02-18 07:36 am (UTC)
2007-02-18 04:18 pm (UTC)
2007-02-18 04:56 pm (UTC)
2007-02-18 11:25 pm (UTC)