Someone asked me for some general pointers on making comics, so I'm posting them here too in case anyone needs tips. It's easy to get hung up on "the basics" when you're trying to get started. I know I spent seemingly years worrying about what kind of paper to use, what kind of brushes Jeff Smith would want me to use, how much biographical information to write down for each character, etc. So here's my basic advice (for this guy's general questions about planning, page sizes, inking, and scanning).
I also forgot to mention that thumbnails are one of the most important things in my process. My thumbnails are usually identical to the final pages. There's a weird kind of alchemy to creating thumbnails (it involves sitting and staring into space for a long time) - I think it's where a good chunk of the real work of comics gets done. You can see some of my thumbnails here.
PS. The guy's e-mail bounced, so i hope he comes here. :(
1. Planning and note-taking varies from project to project. When you're starting out, the most important thing is to start drawing the comic and do as many pages as you possibly can. You will need to do a few hundred really bad pages before you can start getting to the good stuff (unless you're a genius). Don't get hung up on planning and story-bibles and stuff until you know for a fact that you can go ahead and draw a comic in the first place. You could spend years doing character designs and writing backstory, but it doesn't amount to anything if you never actually tell the story.
2. I draw my pages 7x11, because that way they fit in the scanner without me having to scan in pieces and stick them together in photoshop. It makes everything faster and easier. I buy 11x14 paper and cut it in half. A lot of people draw bigger. At this size, I'm reducing to about 70% to print, which is okay for me.
3. I ink with a brush and ink. I think if you're going to be serious about comics you should get some ink and some brushes or pen nibs and seriously learn how to draw with them. It takes some practice and dedication, both of which are important if you want to draw comics. (I can't draw with a nib because I've never taken the time to learn.) The kind of brush I use is a Winsor & Newton "Series 7", size 2. The ink I use is Koh-i-noor brand. I also use various markers for small details (not Microns though, I can't stand them).
4. You have to scan black and white artwork at at least 600 dpi (some say 1200 dpi). Scan it in greyscale, then adjust the levels (ctrl-L in photoshop) so the blacks are black and whites are white (some scanners do this automatically, but I wouldn't trust them). Keep the art at 600 dpi always. Save the file as a PSD if you're using layers. The final file should be converted to bitmap and saved as a tif (and make sure you save the final files separately from the working files). If you're using greyscales, they can only print at 300 dpi generally - so, basically, don't use greyscales unless you want your lineart to be fuzzy. (There's more to it than that, but I'm being brief.)
I also forgot to mention that thumbnails are one of the most important things in my process. My thumbnails are usually identical to the final pages. There's a weird kind of alchemy to creating thumbnails (it involves sitting and staring into space for a long time) - I think it's where a good chunk of the real work of comics gets done. You can see some of my thumbnails here.
PS. The guy's e-mail bounced, so i hope he comes here. :(
- Mood:
tingly


Comments
But levels are for losers, anyway. ;D
For larger sized pages the thicken or thinning of lines in a scan is not such a problem but if you work at a small size it becames more of a concern for the final printed outcome. However, whatever works is the way to go. =]
-Diana
And yeh, you have to draw a lot of crap pages before the real instinct for composition and transition wakes up.
It's nice to know that not everyone is enslaved to the 10 x 15 thing though. I heard Gene Ha did 'Top 10' at about the 7 x 11 size.
Which really makes me wonder how the hell Zander Cannon managed to ink that without going blind or barking. I think he probably needed to use a laser or something...
how big are your thumbnails by the way? When I do it, I usually start with thumbnails maybe three inches high so I can map everything out before I forget, and then go back and redraw them at about 8 x 5. but then if i get distracted by a project for a few weeks in between those two stages I have no idea what I was drawing about and have to start over.
and just wondering: do you write out a script and then go back and thumbnail it, or do both at the same time?
Do you draw in guidelines for the active area (or whatever the term is for the stuff you don't want to bleed) or do you just eyeball it?
Do you use just normal photocopy type paper? or a more artsy type paper for that?
It's under Image--> Adjust--> Threshold if you want to look at it. I never even knew it was there until I saw this one tutorial about coloring images. I really like it for my own comic work.
-Diana
Also, if you don't mind me asking, what do you use to correct any inking mistakes? I'd assume you don't just use regular liquid paper, right?
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